VERMILION 3
The color vermilion continues to preoccupy me. This series on paper begins with a painted vermilion form on which I draw using white transfer paper (like carbon paper, but white), further developing a visual vocabulary, limiting the media while expanding the language. Acrylic and transfer pigment on paper, 2016, 2019.
The work was shown in 2019 as large archival pigment prints, ranging from 5’ x 5’ to 5’ x 22’,  at Desai Matta Gallery, San Francisco and at the Bainbridge Island Museum of Art. See images below. Hover for captions.
Exhibits: 
VERMILION | ELLEN ZIEGLER     Solo exhibit, 2019. Curated by Deirdre Visser at Desai Matta Gallery, 
                                                     California Institute of Integral Studies, San Francisco, 2019.     
DEPARTURES and ARRIVALS:    Bainbridge Island Museum of Art, Bainbridge Island, WA. 
Artists in Abstraction                  Curated by Greg Robinson, 2019.  
                                                              
VERMILLION | VERMILION          Solo exhibit, Vermillion Gallery, Seattle WA, 2018
OUT OF SIGHT                             King Street Station, concurrent with Seattle Art Fair 2016
STUDIO VISIT: Ellen Ziegler        Solo exhibit, SOIL Gallery, Seattle WA, 2016
Essay by curator Deirdre Visser, Desai Matta Gallery, San Francisco.
Guillermo Gómez-Peña performing during Vermilion at the Desai Matta Gallery, California Institute of Integral Studies.
Gómez-Peña is a performance artist, writer, radical pedagogue, Public Citizen & activist against all borders. an Intellectual Coyote (Nanabush)… fighting colonialism since 1492, and the Artistic Director of the international arts organization La Pocha Nostra.  A hero of mine. I can now die happy. 
 
                 
                 
                 
                 
                 
                 
                 
                 
                 
             
             
            